Why Beau Jest?

Why Beau Jest? 

“So Sarah has this Jewish boyfriend who is neither Jewish nor her boyfriend.”

That’s the tag line I wrote for advertising materials for our production of Beau Jest. I almost added the additional tag, “Discuss.” Remember the Mike Myers Saturday Night Live skit Coffee Talk? Myers played Linda Richman, a stereotypical Jewish middle-aged woman who wears gaudy sweaters, large, dark glasses and has big hair, which she constantly adjusts. “The chickpea is neither a chick nor a pea. Discuss,” she’ll say. Or “The Mormon Tabernacle Choir is neither Mormon nor a tabernacle nor a choir. Discuss.”

Beau Jest is wonderful fodder for a Linda Richman tangent. Sarah is a nice Jewish girl from a nice Jewish family who has fallen in love with a nice Christian boy. But she tells her nice Jewish parents that she’s dating a nice Jewish doctor. It’s all nice. Until her parents invite the Jewish doctor, who doesn’t exist, to Passover.

Cue Guess Who’s Coming to Seder?

Beau Jest is funny, with its convoluted-interpersonal-relationships-based-on-mistaken-identity plot line. But it also engages themes that have deeper meaning; how important is a shared religion to a relationship? And how important is a shared religion to building a cohesive and strong extended family?

According to the 2001 American Religious Identification Survey, more than 28 million married or cohabitating Americans - almost one quarter - are interfaith. For some, the choice between their faith, which often incorporates their family and community, and the person they love is fraught with challenges and heartache. For others an interfaith relationship represents the ultimate reconciliation ceremony; it brings together the best elements from two faiths.

On the one hand, some believe that each member of an interfaith family will hold different beliefs about deity, humanity and the rest of the universe and the result will be irresolvable conflict. On the other hand, conflict over faith can happen in an intrafaith family as well; even with a shared set of beliefs, interpretations of those beliefs can differ. Two people of the same faith can take a religious text and come up with two vastly different interpretations and each person believes that his interpretation is truth because it’s based on scripture. Irresolvable conflict.

So how important is a shared religion to building a cohesive and strong extended family?

 Discuss.

 Krista Lang Blackwood Director of Cultural Arts

Jewish Community Center of Greater Kansas City

Book Review The Sabbath

The Sabbath by Abraham Joshua Heschel

My rating: 3 of 5 stars

Thoughtful book about the importance of the Sabbath because it is about "time" not about "space." 

"There is a realm of time where the goal is not to have but to be, not to own but to give, not to control but to share, not to subdue but to be in accord.  Life goes wrong when the control of space, the acquisition of things of space, becomes our sole concern." 

"We must conquer space in order to sanctify time.  All week long we are called upon to sanctify life through employing things of space.  On the Sabbath it is given us to share in the holiness that is in the heart of time."

Though this is a Jewish text, it isn't only for Jews;  folks of all stripes can get something out of Heschel's thoughtful, if sometimes scattered, disorganized, and repetitive, prose:

"Technical civilization is man's triumph over space.  Yet time remains impervious.  We can overcome distance but can neither recapture the past nor dig out the future.  Man transcends space, and time transcends man."

"Every one of us occupies a portion of space.  He takes it up exclusively.  Yet, no one possesses time.  there is no moment which I possess exclusively.  This very moment belongs to all living men as it belongs to me." 

"We share time."



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Book Review The Influencing Machine: Brooke Gladstone on the Media

The Influencing Machine by Brooke Gladstone
My rating: 4 of 5 stars

A graphic novel that gives you a history of the media in visual bits that bite deep.

The main point;  "We hunger for objectivity, but increasingly swallow "news" like Jell-O shots in ad hoc cyber-saloons.  We marinate in punditry season with only those facts and opinions we can digest without cognitive distress.   I see our most hallowed journalistic institutions crumbling, I see our business model that relied on mass audiences being displaced, with stunning speed, by one that survives by aggregating millions of tiny, targeted audience fragments.  The reality that anyone with a cell phone can now presume to make, break, or fabricate the news has shaken our citadels of culture and journalism to the core.
The once mighty gatekeepers watch in horror as libelous, manifestly unprofessional websites flood the media ether with unadulterated id.  Terrifying.  I can't wait to watch it play out."

Something oxymoronic about a book like this pointing out that we, as a people, have lost our ability to read in-depth for long periods of time.  But would I have picked up a 500 page tome on this subject?  Probably not. I blame Google.


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Book Review The Three Musketeers

The Three Musketeers by Alexandre Dumas
My rating: 4 of 5 stars

Rereading in my middle age;  I flipped between two translations the Bantam classic translation by Lowell Blair and the Tor Publications anonymous translation, discovered and introduced by Steven Brust.  The Tor edition was highly recommended as being the closest to capturing the clever language of the original French but I found it so clunky and impregnable that I lost the story-line.  When I switched back to the Blair translation, the story came alive once more.


There have been a million stage and screen adaptations focusing on the diamond tags but I found myself wondering why someone hasn't made a psychological thriller out of the Lady de Winter/Fenton section.  Creepy as hell, she is.


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What's Jewish About Avenue Q?

I have a new job as the Director of Cultural Arts at the Jewish Community Center of Kansas City.  Though all Jewish Community Centers are structured a bit differently, most of them have a fitness component, an education component and a cultural arts component;  like a Y with college classes and great performances.  It's a brilliant formula for creating community and I'm sure to write more about it in future blog posts.

One of my marching orders is to expand the offerings of the Cultural Arts department and increase the level of "Jewish-ness," for lack of a better word, in upcoming performing arts seasons.  Another of my marching orders it to find ways to connect the current performing arts season to Jewish culture.

This is easy with a play like Beau Jest, coming up in December.  But it wasn't so easy with a production like Avenue Q, which opens November 5th.

What's Jewish about Avenue Q?

I had to answer this question for an essay that is featured in our Playbills.  It stumped me for quite a while.  Then, in one of those flashes of clarity that always seem to happen at 3:00 a.m., I lit upon a connection.  Here's what I wrote for the Playbill.  Enjoy.

One of the main tenants of Jewish thought is the concept of tikkun olam; repairing the world.  Making it a better place. 

One of the most wonderful functions of theater is its ability to provide reflection; to hold a mirror up to the world around us, enabling us to see ourselves more clearly.  Theater allows us to view our problems through the lens of fiction.  It allows us laugh at ourselves.  To cry.  To feel.  It opens us up to the experiences of others in a way that can make us more understanding and tolerant.  Theater makes us more human.

So what does this have to do with an R-rated production with full-puppet nudity?

Avenue Q is a coming-of-age parable, satirizing the issues and anxieties associated with entering adulthood. Its characters struggle with the schism between the world of Sesame Street and the world in which they now, as adults, must live.  Big Bird told them that they were “special” but they have discovered they are no more “special” than anyone else. This world in which they now find themselves is a far cry from the world they grew up watching on television; that world had simplistic problems and happy resolutions.  This world?  Not so much. 

So perhaps Avenue Q is about kids growing up with the concept of tikkun olam and then trying to find ways to live that philosophy in a world that makes it remarkably difficult to do so. 

You can do anything.  You can be anything.  You can change the world.  But can you?  Can you really?

In “Money Song” the cast trades riffs back and forth about how good it feels to help others.  The song culminates in with the lyric, “Give us your money! / Every time you do good deeds / You're also serving your own needs. / When you help others / You can't help helping yourself.” 

Seems cynical, right?   But real.  All too real.  And with a good outcome.  Even if the intent of helping others is to make yourself feel better, you still helped.  And by helping, even in your small, self-centered way, you have made the world a slightly a better place.  Sounds kind of like one of the most often quoted portions of Pirkei Avot; “You are not obligated to complete the work, but neither are you free to desist from it (2:21).” 

Avenue Q is full of cynical optimism.  Life sucks, but everything is temporary -- the good and the bad. It’s funny and raunchy but also poignant and full of life lessons. 

But in a way, Avenue Q also represents the distance between the heady concept tikkun olam and Pirkei Avot 2:21.   You are supposed to fix it. You can’t fix it.  You still have to try. 

To quote a character in Michael Chabon’s The Yiddish Policemen’s Union, “An awful place, this sea, this gulf between the Intention and the Act, that people call ‘the world.’”  Avenue Q provides a possible blueprint--a racy, profanity-laden, hysterically funny and extremely uncomfortable blueprint, but a blueprint nonetheless--for navigating the gulf.

Krista Lang Blackwood, Director of Cultural Arts

Book Review Whales on Stilts

Whales on Stilts by M.T. Anderson
My rating: 5 of 5 stars

I picked this up for my kid at the library, flipped through it real quick to scan for possible emotional potholes and decided that it was so ironic and tongue-in-cheek that it would be fine.

And it was.  My son laughed and laughed and laughed.  Then I read it and laughed and laughed and laughed.  MT Anderson is funny.  And funny in a way that appeals to a seven year old and his jaded mother.  Both.

This is not one of those books that tries too hard to be clever.  This is one of those books that just simply IS clever.  The very embodiment of it.  Ostensibly a spoof of the children's literature of the 50s and 60s it is also an homage;  an homage to Nancy Drew and Tom Swift and the pulp, series children's books of that era.  There is the promotion of Gargletine, Jasper Dash's drink of choice and fake ads for books starring Jasper Dash (the Tom Swift character who says things like "Great Scott!  Will these cads never ceases mocking my jumpsuit?") and Katie Mulligan (kind of cross between Nancy Drew and Buffy the Vampire Slayer).   One of the fake ads features an asterisk next to the declaration "AVAILABLE AT FINE STORES NEAR YOU!"  The accompanying footnote, which occupies the bottom of seven pages, starts thusly;  "No longer available on the shelves at fine stores near you.  Available now exclusively and by special arrangement on the shelves of old vacation rental cottages, where you can often find Jasper Dash books in the living room, as well as old National Geographics, Chinese checkers, half colored-in Herbie the Love Bug activity books from 1978, used up Mad Libs, and dog-eared, boring novels for adults by Leon Uris, Colleen McCullough, and James Michener, I mean big, thick books with names like Space and Novel, you know what I mean ... all the books are dry and yellow from the sun, and all of them have wrinkly pages from the salt water, and when you flip through them, sand falls out as if it was index cards marking the place of former summers..."

The dialogue runs from clever to even more clever and nothing is sacred.

"The whale fired his laser-beam eyes.  The girls felt the jolt as the laser beam bounced off the mirror.  Of course the girls didn't feel the jolt as the laser bounced off the mirror, because lasers are just light.  This story is highly scientific, and I would never mislead you.  I want to depict whale eye-laser technology as accurately as possible.  Instantaneously the laser doubled back on itself, a continuous stream of light-using all the standard oculo-incendiary prohulsifiers and megegolisms that you'd expect ..."

And the "Guide for Reading and Thinking" was a nice touch.

Anderson continued Whales on Stilts into a series called Pals in Peril.  I've not yet read the follow-up books but if they are only 50 percent as clever and enjoyable as this one, they will be worth your time.

Highly recommend.


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Book Review The Sign of the Beaver

The Sign of the Beaver by Elizabeth George Speare
My rating: 4 of 5 stars

Speare was the it-thing in children's literature in the late 50s; between 1957 and 1961 she published three books, two of which won the Newbery.  Then she took 20 years off.

The Sign of the Beaver was her return, in 1983, and it, too, won awards (a Newbery Honor citation, the Scott O'Dell Award for Historical Fiction, and the Christopher Award).  But I didn't want to read it because I never liked her other books when I was a kid.

This one I liked, though, which makes me wonder if I would, now, like The Witch of Blackbird Pond  Guess there's only one way to find out.

A well-told story with economical prose and likable characters; a boy left alone in the barely settled wilderness in the 1760s while the father goes back east to retrieve the rest of the family.  The boy's gun is stolen by an itinerant traveler but he survives with the help of a boy from a local tribe, who grudgingly teaches him the ways of the natives while the boy tries to teach him to read.  One of those stories that, as a mother, makes me shiver and shake my head but, as a child-at-heart makes me want to develop the same pluck and bravery I see in the characters.


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